Artists' biographies (basically Florentine) 1530.

Collaborator of Offner's Critical and Historical Corpus of Florentine Painting. Cohn studied in Berlin between 1923-26 under Adolph Goldschmidt and Freiburg, 1926-29 under Hans Jantzen, for whom he wrote his dissertation in 1929. His topic was on Han Holbein the Younger. Between 1931 and 1933 Cohn worked as a volunteer in the prints and drawings and library sections at the Staatlichen Museen in Berlin. When the Nazis came to power, Cohn, a protestant of Jewish lineage, was dismissed from his position.

British Consul-General to Florence, wrote biographies of Florentine artists

Anarchist and scholar of Florentine Renaissance art. Dwelshauvers studied classics and medicine at the university in Brussels. He continued medical study in Bologna. He published important anarchist pamphlets, Le movement anarchiste in 1895 and in 1901 Le mariage libre. As an anarchist, he hated militarism and the political authority of the church. In 1897 he returned to Belgium where he met anarchist and geographer Elisée Reclus. He returned to Florence to receive his medical degree, but never practiced.

Frick Collection Director, 1973-1986 and John Pope-Hennessy Chair of the department of European paintings, Metropolitan Museum of Art, 1986-2009. Fahy (pronounced "Fay"), born to Everett Fahy, Sr. and Dorothy Jermaka (Fahy), was raised in Philadelphia, PA. While an undergraduate at the University of Virginia, Fahy met his future chair namesake, John Pope-Hennessy in North Carolina. After graduation in 1962 he traveled to Europe where Pope-Hennessy suggested he study Domenico Ghirlandio.

Art historian of the Florentine Renaissance and 16th-century art historiography. Frey attended the University of Berlin from where he wrote his dissertation on the Loggia dei Lanzi in 1884. His early publications were on the writing of the early art biographer Giorgio Vasari, an edition of the Vite between 1884 and 1887.

wrote work about Florentine artists (1550), (published in 1896)

Historian of Florentine renaissance painting and New York University professor. Offner's family emigrated to the United States in 1891 when he was three years old. He grew up in New York city, studying at Harvard (1909-12) and as a Fellow at the American Academy in Rome (1912-14). His dissertation in art history (now lost) was written under Max Dvořák at the University of Vienna and granted in 1914.

Renaissance and Mannerism scholar and NYU professor; Director, I Tatti, Florence. Smyth was the son of George Hugh Smyth and Lucy Salome Humeston (Smyth). He received all his degrees from Princeton University, beginning with his A. B., in 1938 in classics. At Princeton, Charles Rufus Morey persuaded him to switch to art history for his master's degree (M.F.A.), granted in 1941. He married Barbara Linforth the same year and joined the National Gallery of Art as a senior research assistant with fellow classmate Charles Parkhurst.