Specialist in classical Greek and Roman art. Alscher studied under Ernst Buschor at Munich, and was charged with reorganizing the Archaeological Institute at the University of Jena after World War II in 1945. In 1951, he moved to a professorship at the Humboldt University in (East) Berlin, where he was named an ordentliche (full) Professor in 1953. Published a four-volume history of the development of Greek sculpture, that was influenced by his training in the analysis of forms.

Specialist in ancient Greek sculpture; director and rebuilder of the German Archaeological Institute in Rome after World War I, 1921-1927. Amelung's father was a successful insurance executive and his mother an actress. The younger Amelung studied under the classicist Erwin Rohde (1845-98) in Tübingen and briefly under Johannes Overbeck at Leipzig, before settling in Munich to write his dissertation under Enrico Brunn. His dissertation was on the personification of nature in Hellenistic vase painting.

Corinthian vase painting scholar; co-founder of the History of Art department at the University of California, Berkeley. Amyx attended Stanford University where he received a B. A. in classics in 1930. His graduate work was done at Berkeley. An M.A. in Latin was granted in 1932 (with a thesis on Juvenal). He was a fellow at the American School in Athens for 1935-36. His Ph.D., in Latin and classical archaeology was awarded in 1937. His dissertation, on Eritrean black-figure painting, was written under H. R. W. Smith.

Classical art scholar and director of the DAI, 1984-. Andreae graduated from the university at Marburg in 1956, where he studied under Friedrich Matz (1890-1974). His thesis focused on the iconography of patrimony in Roman sarcofagi. Between 1956 and 1959 he was assistant professor at the DAI or German archaeological Institute in Rome contributing frequently to the Archaeologische Anzeiger.

Italianist art historian; Arasse graduated from the École normale supérieure in 1965 in Classics. He entered the Sorbonne initially studying Italian Renaissance art under André Chastel on St. Bernardino of Siena. He switched to École des hautes études en sciences sociales (EHESS) under the direction of Louis Marin.

Greek sculpture scholar and Yates Professor of Classical Archaeology, University of London, 1929-1948. Ashmole was the son of an auctioneer, William Ashmole, and Sarah Caroline Wharton Tiver (Ashmole). He was related to Elias Ashmole (1617-1692), the namesake of the Ashmolean Museum, Oxford, for which Ashmole would one day work. After attending Forest School (1903-1911) he was admitted to Hertford College, Oxford, in 1913 awarded the Essex Scholarship in Classics. However, Britain entered into World War I the following year and Ashmole joined the 11th Royal Fusiliers.

Etruscan specialist. Banti worked at the Vatican Library between 1930 and 1940 and on the excavations at Crete before her appointment to the University of Rome in the history of religions. In 1948 she was appointed chair of archaeology at the University of Pavia, moving two years later to Florence to teach Etruscan studies, 1950-65 [Archivio biografico italiano states 1954-74]. She also lectured at various American universities during this time. In 1965 she became director of the Istituto di Studi Etruschi, which she held until 1972.

Author of a history of Greek and Roman artists. Bartsch was the son of the more famous, Adam von Bartsch. From 1814 onwards he assisted his father in the imperial library collection of prints. In 1818 he published a catalog of his father's collection, the Catalogue des estampes de J. Adam de Bartsch. He succeeded his father at the imperial print collection in 1827. In 1835 Bartsch issued a history of artists of the classical Greek and Roman era, Chronologie der griechischen und römischen Künstler. Like his father, too, he was an etcher.

Explored transformation of Classicism into Baroque; suggested "anti-Renaissance" as intermediary term (versus Mannerism).

Classical archaeologist; created the major index of Greek black-figure and red-figure pottery based on artistic styles. Beazley's father was Mark John Murray Beazley (d. 1940), a London interior designer and Mary Catherine Davidson (Beazley) (d. 1918). After attending King Edward VI School, Southampton, he entered Christ's Hospital and Balliol College, Oxford, where he was "much involved" (Boardman) with the poet James Elroy Flecker (1884-1915). Flecker wrote poetry dedicated to Beazley and the two enjoyed an aesthete lifestyle similar to their fellow Oxford student, Oscar Wilde.

Art historian of classical art. Educated at the University of Rome under Ranuccio Bianchi Bandinelli, Becatti was appointed to the Superintendency of Ostia in 1938 at a time when Mussolini sped up excavations in order to showcase them at the (unrealized) International Exposition in Rome. Becatti altered his publishing interests from Etruscan subjects to Roman Ostia as a result.

Librarian and scholar of classical art. He served as librarian for Prince Karl Ludwig von der Pfalz from 1675 as well as conservator for the prince's collection of coins and medals. In 1685, Berger began publishing these in his Thesaurus ex Thesauro Palatino Selectus. The arrangement of the gems was according to era (rulers), mythological subject. Bronze sculpture was also included in his publications. In 1693 Berger was appointed librarian of the coin, art and artifact collection of Frederick I of Prussia in Berlin.

Classicist art historian. Benndorf studied under the archaeologist/philologist Friedrich Gottlieb Welcker (1784-1868), the pottery scholar Otto Jahn and the classicist Friedrich Ritschl (1806-1876) at Bonn. He wrote his habilitationschrift in 1868 under Friedrich Wieseler (1811-1892) in Göttingen. During a brief position teaching at Schulpforte, Germany, his pupils included the young Friedrich Nietzsche (1844-1900).

Classical iconographer, published the first "scientific" modern iconography of Greek and Roman portraiture.

Marxist art historian of Roman art. Bianchi Bandinelli was descended from ancient aristocracy in Siena. His father, Mario Bianchi Bandinelli (1859-1930), was a one-time mayor of Siena and land baron whose forebears included Pope Alexander III (served 1159-1181). His mother, Margherita Ottilie "Lily" von Korn (Bianchi Bandinelli) (1878-1905) was German from minor noble lineage. He attended the liceo Guicciardini in Siena before entering the University in Rome in 1918, studying archaeology. His early research focused on the Etruscan centers close to his family lands.

Specialist in classical Greek and Roman art, particularly known for his focused interpretations and histories of single works of art. Forced to leave his university studies in 1935 because of the Jewish heritage of his father, but remained in Germany and survived a forced labor camp (Organization Todt) in France to return to Germany and resume his studies. After finishing his habilitation in 1947, began teaching at the University of Greifswald where he advanced to the rank of full professor in 1959.

Specialist in ancient Greek and Roman art. Curator (1929-1935) and Professor (1935-39, 1944-61) at the Berlin Museum. Director of the antiquities collection at the Berlin Museum 1947-1961, Blümel was responsible for rebuilding the collection on the Museumsinsel (in East Berlin) after the war.

Classical archaeologist, art historian and successor to Karl Dilthey as professor at the University of Zürich, 1887-1919. Born the son of a policeman, Blümner studied archaeology at the University in Bonn under Otto Jahn, whose philology deeply influenced him. He taught initially at Breslau and Königsberg. In 1887 he succeeded Karl Dilthey as professor of classics at the university in Zürich.

Classical art historian, specialist in Greek pottery. Boardman was born to Frederick Archibald Boardman and Clara Wells (Boardman). He graduated from Magdalene College, Cambridge with a B. A. in 1948. He served in the Intelligence Corps, British Army, 1950-52, rising to second lieutenant. In 1951 he was awarded an M.A. (his highest degree) from Cambridge in 1951. The following year he married Sheila Joan Lyndon Stanford. Boardman was named assistant director at the British School at Athens, Athens, in1952. He participated in the excavations at Chios, 1953-55.

Scholar of Renaissance art and its relationship to classical antiquity and Leslie Clark Professor in the Humanities at Bryn Mawr College. Pray was the daughter of Melvin Francis Pray and Lea Arlene Royer (Pray), of French-Canadian ancestry. She graduated from Cape Elizabeth High School in Portland in 1937, continuing to Wellesley College in where she received a B. A. in 1941 (majored in art and minored in Greek).

Specialist in archaic (Greek and Germanic) art. Director of the Kgl. Museum Fridericianum (Kassel, 1902-1928) and was primary motivating force behind the reorganization of exhibits, the construction of the Hessiches Landesmuseum, and artistic and cultural life in Kassel until 1930.

Specialist in classical Greek and Roman iconography, and president of the deutsches archäologisches Institut (German Archaeological Institute, or DAI) 1954-1960. Decorated during military service in World War I, a member of the circle around Stefan George, and the model for George's poem "Einem jungen Führer im Ersten Weltkrieg." A student of Theodor Wiegand, and also his assistant at the Pergamon excavation 1927-1931. Began teaching at the University of Greifswald in 1934, and was appointed ordinary Professor there in 1943.

Etruscan scholar; co-authored original Pelican History of Art volume on Etruscan architecture. Boëthius was born to a family with a long tradition in ecclesiastical traditions. He attended the university of Uppsala (with periods also at the university in Berlin), initially in Greek studies before changing to ancient Italy. He received his Ph.D. from Uppsala in 1918. He was a lecturer there (1919-25) and also at the British School in Athens. He assisted in the excavations of Mycenae, 1921-24.

Classicist art historian and vase expert, Metropolitan Museum of Art Curator of Greek and Roman Art. Born to an aristocratic Hanover family, Bothmer worked as a youth for the German-Expressionist artist and sculptor Erich Heckel. His older brother, Bernard von Bothmer joined the Berliner museums in 1932 as an Egyptologist and the younger Bothmer decided on a museum career himself. He studied one year at the Friedrich Wilhelms Universität in Berlin before receiving a Cecil Rhodes Foundation grant to study in Oxford in 1938. In Oxford he met J. D.

University of Cincinnati professor of classical art history, 1939-1985. After Boulter received his B.A. from Prince of Wales College in 1930, he continued study at Acadia University, 1933, Johns Hopkins University, 1933-1934, and the American School of Classical Studies in Athens, 1934-1935. At the American School he studied under Carl. W. Blegen (1887-1971). Excavating Troy at Blegen's direction, Boulter uncovered a Mycenaean wall and the remains of what Blegen identified as the Scaean Gate; Boulter received full credit for the discovery. Boulter was awarded his Ph.D.