Specialist in classical Greek and Roman art. Alscher studied under Ernst Buschor at Munich, and was charged with reorganizing the Archaeological Institute at the University of Jena after World War II in 1945. In 1951, he moved to a professorship at the Humboldt University in (East) Berlin, where he was named an ordentliche (full) Professor in 1953. Published a four-volume history of the development of Greek sculpture, that was influenced by his training in the analysis of forms.

Specialist in ancient Greek sculpture; director and rebuilder of the German Archaeological Institute in Rome after World War I, 1921-1927. Amelung's father was a successful insurance executive and his mother an actress. The younger Amelung studied under the classicist Erwin Rohde (1845-98) in Tübingen and briefly under Johannes Overbeck at Leipzig, before settling in Munich to write his dissertation under Enrico Brunn. His dissertation was on the personification of nature in Hellenistic vase painting.

Corinthian vase painting scholar; co-founder of the History of Art department at the University of California, Berkeley. Amyx attended Stanford University where he received a B. A. in classics in 1930. His graduate work was done at Berkeley. An M.A. in Latin was granted in 1932 (with a thesis on Juvenal). He was a fellow at the American School in Athens for 1935-36. His Ph.D., in Latin and classical archaeology was awarded in 1937. His dissertation, on Eritrean black-figure painting, was written under H. R. W. Smith.

Early discoverer that Greek architecture had been brightly colored. Angell studied architecture at the Royal Academy in London. He and another architectural student, William Harris (d. 1823) went to Sicily to find evidence for colored architecture among ancient Greek monuments. They excavated temple C, the main temple, at Selinus (Seliunte). Both men were among the circle of the architect C. R. Cockerell, who had visited Sicily and made archaeological digs in the 1810's. Neither Angell nor Harris secured permission to excavate.

Private art scholar and dealer of ancient Greek sculpture and portraits. Son of an affluent merchant in Mecklenburg, Arndt studied classical art with Johannes Overbeck in Leipzig and Enrico Brunn in Munich. His dissertation, written under Brunn, focused on Greek vase types. He never attempted a habilitationschrift. Brunn took Arndt for his assistant. Because of his financial independence, Arndt could afford to remain a private scholar.

Greek sculpture scholar and Yates Professor of Classical Archaeology, University of London, 1929-1948. Ashmole was the son of an auctioneer, William Ashmole, and Sarah Caroline Wharton Tiver (Ashmole). He was related to Elias Ashmole (1617-1692), the namesake of the Ashmolean Museum, Oxford, for which Ashmole would one day work. After attending Forest School (1903-1911) he was admitted to Hertford College, Oxford, in 1913 awarded the Essex Scholarship in Classics. However, Britain entered into World War I the following year and Ashmole joined the 11th Royal Fusiliers.

Author of a history of Greek and Roman artists. Bartsch was the son of the more famous, Adam von Bartsch. From 1814 onwards he assisted his father in the imperial library collection of prints. In 1818 he published a catalog of his father's collection, the Catalogue des estampes de J. Adam de Bartsch. He succeeded his father at the imperial print collection in 1827. In 1835 Bartsch issued a history of artists of the classical Greek and Roman era, Chronologie der griechischen und römischen Künstler. Like his father, too, he was an etcher.

Curator Musée royal des Beaux-Arts de Belgique, in Brussels; maecenas. Bautier was the son of Edmond Bautier and Marie Querton. After having attended the Athénée royal at Ixelles, near Brussels, he studied law and history at the Université Libre de Bruxelles. From this university he earned the degree of doctor in law and the degree of doctor in philosophy and letters. He enrolled at the Brussels Bar, but he soon left the practice of law. He instead chose a career in art history. In 1907 he was among the founders of the Société des Amis des Musées royaux de l'État in Brussels.

Classical archaeologist; created the major index of Greek black-figure and red-figure pottery based on artistic styles. Beazley's father was Mark John Murray Beazley (d. 1940), a London interior designer and Mary Catherine Davidson (Beazley) (d. 1918). After attending King Edward VI School, Southampton, he entered Christ's Hospital and Balliol College, Oxford, where he was "much involved" (Boardman) with the poet James Elroy Flecker (1884-1915). Flecker wrote poetry dedicated to Beazley and the two enjoyed an aesthete lifestyle similar to their fellow Oxford student, Oscar Wilde.

Classical iconographer, published the first "scientific" modern iconography of Greek and Roman portraiture.

Specialist in classical Greek and Roman art, particularly known for his focused interpretations and histories of single works of art. Forced to leave his university studies in 1935 because of the Jewish heritage of his father, but remained in Germany and survived a forced labor camp (Organization Todt) in France to return to Germany and resume his studies. After finishing his habilitation in 1947, began teaching at the University of Greifswald where he advanced to the rank of full professor in 1959.

Architect and architectural historian; first to launch the controversy regarding whether Greek sculpture had been painted during ancient times. Blouet studied architecture under Pierre-Jules-Nicolas Delespine (1756-1825) at the école des Beaux-Arts, Paris in 1817. In 1821 he was awarded the Prix de Rome. In Rome, Blouet worked closely with Antoine Quatremère de Quincy, completing drawings for the restoration of ancient monuments.

Director of the Berlin State Museum and early examiner of material used by ancient Greeks. Bluemel weighed in on the controversial authenticity case of the Metropolitan bronze horse. The antiquities procurer John Marshall (1862-1928) had acquired a small bronze horse in 1923 for the Metropolitan Museum of Art in New York. In 1967, the museum's financial director, Joseph V. Noble, and the curator in the Department of Greek and Roman Art, Dietrich von Bothmer, announced that the bronze was a forgery based upon stylistic grounds and gamma ray testing.

Specialist in ancient Greek and Roman art. Curator (1929-1935) and Professor (1935-39, 1944-61) at the Berlin Museum. Director of the antiquities collection at the Berlin Museum 1947-1961, Blümel was responsible for rebuilding the collection on the Museumsinsel (in East Berlin) after the war.

Classical art historian, specialist in Greek pottery. Boardman was born to Frederick Archibald Boardman and Clara Wells (Boardman). He graduated from Magdalene College, Cambridge with a B. A. in 1948. He served in the Intelligence Corps, British Army, 1950-52, rising to second lieutenant. In 1951 he was awarded an M.A. (his highest degree) from Cambridge in 1951. The following year he married Sheila Joan Lyndon Stanford. Boardman was named assistant director at the British School at Athens, Athens, in1952. He participated in the excavations at Chios, 1953-55.

Specialist in archaic (Greek and Germanic) art. Director of the Kgl. Museum Fridericianum (Kassel, 1902-1928) and was primary motivating force behind the reorganization of exhibits, the construction of the Hessiches Landesmuseum, and artistic and cultural life in Kassel until 1930.

Specialist in classical Greek and Roman iconography, and president of the deutsches archäologisches Institut (German Archaeological Institute, or DAI) 1954-1960. Decorated during military service in World War I, a member of the circle around Stefan George, and the model for George's poem "Einem jungen Führer im Ersten Weltkrieg." A student of Theodor Wiegand, and also his assistant at the Pergamon excavation 1927-1931. Began teaching at the University of Greifswald in 1934, and was appointed ordinary Professor there in 1943.

Classicist art historian and vase expert, Metropolitan Museum of Art Curator of Greek and Roman Art. Born to an aristocratic Hanover family, Bothmer worked as a youth for the German-Expressionist artist and sculptor Erich Heckel. His older brother, Bernard von Bothmer joined the Berliner museums in 1932 as an Egyptologist and the younger Bothmer decided on a museum career himself. He studied one year at the Friedrich Wilhelms Universität in Berlin before receiving a Cecil Rhodes Foundation grant to study in Oxford in 1938. In Oxford he met J. D.

Archaeologist and art historian; specialist in ancient Greek, Roman and Etruscan art. Brendel's father was a church minister in Nuremberg, Bavaria and the younger Brendel retained a lifelong interest in theology himself. He attended the Neues Gymnasium where he early on developed an interest in classical studies. As a youth he joined the Wandersvogel youth, hiking and singing in the German countryside during the years of economic hardship of the first World War. He painted and played both the cello and piano as part of evening's entertainment with his family.

Major scholar of the Parthenon sculpture; associated with the Nazi years of the DAI. During the years when the DAI (Deutsches Archäologisches Institut) in Athens was under Nazi control, he served there under Walther Wrede. He received his Ph.D., from the University of Munich. In 1956 he edited the Corpus vasorum antiquorum volumes of the holdings at the Schloss Fasanerie, Adolphseck. Beginning in 1963, Brommer undertook a systematic publication of the entire Parthenon sculpture.

Architectural historian of ancient Greece, field archaeologist and University of Chicago professor; discovered the Sanctuary of Poseidon in Isthmia. Broneer was the youngest son of a Swedish farmer. As a child he labored on the family farm until age 18 when he and his brother left for the United States in 1913. He initially planned to remain in the U. S. only long enough to earn money return to Sweden and start a successful life. After a few years, Broneer attended Augustana College, Rock Island, Illinois, now planning a career in the seminary.

Specialist in Greek funerary art. Leader of the excavation project of the "Cemetery of Eridanos" next to the Hagia Triada in Athens, 1907-1930.

Early and important art historian of ancient Greek art. Professor at Munich University, 1865-1894 and director of the Glyptothek. Born the son of a minister, Brunn attended the University of Bonn studying archaeology and philology under Friedrich Gottlieb Welcker and Friedrich Ritschl (1806-1876). His dissertation was on the dating of Greek artists before Alexander. In 1843 he joined the Deutsche Archäologische Institut (German Archaeological Institute or "DAI") in Rome under Emil Braun.

Specialist in classical Greek and Roman art. Bruns was active in the Pergamon excavation at the request of Theodor Wiegand and after a long sickness, a volunteer scientific assistant at museums in Kassel and Braunschweig (1935-1939). She returned to Berlin in 1939 to work in the service of the Antiquities collection in the State Museum of Berlin, rising to the position of Curator in October 1945.

Archaeologist, museum administrator and early scholar of Greek sculpture and vases. Brøndsted's parents were Christian Brøndsted (1742-1823), a minister, and Mette Augusta Pedersen (1758-1832). He studied theology at the university in Copenhagen, graduating in 1802 and additional years studying philology at the same institution, for which he was awarded a gold medal in 1804. Through his friend, the philologist Georg H. C. Koës (1782-1811), he met Koës' sister, Frederikke, whom Brøndsted became engagued.