Burlington Magazine Joint Editor, 1914-1919. Adey initially worked translating of Scandinavian literature. He joined the circle of followers of Oscar Wilde (1854-1900), whose numbers included the writers Max Beerbohm (1872-1956) and Reginald Turner (1869-1938), the artist William Rothenstein and, most significant for Adey, Robert (Robbie) Baldwin Ross (1869-1918). He and Ross shared a house together for fifteen years. In 1900 the two joined the management of the Carfax Gallery in London.

Americanist and art magazine editor; infamous for his anti-modernist stance on American art. Boswell's father Peyton Boswell, Sr. (1879-1936), was an art columnist for the New York Tribune and later founder of the magazine Art Digest. His mother was Bessie Boswell. Boswell attended Rutgers graduating in 1926. The same year, his father founded the journal Art Digest. The younger Boswell worked as a sports journalist in Santa Fe, NM. In 1929 he returned to assumed the assistant art editor position at the Art Digest.

First editor of the Burlington Magazine 1903-1906; political journalist. Dell was editor of the Connoisseur magazine, a British art journal describing itself as "for collectors." In 1903 Dell helped found and became first editor of the Burlington Magazine, togehter with the principals, the art historians Bernard Berenson, Herbert P. Horne and Roger Fry. The intent was to produce a British art journal for the serious art scholar, based upon the models of connoisseurship.

Feminist art historian and early scholar of African American art; founded Woman's Art Journal. Elsa Honig was born to Samuel M. Honig and ​​Yetta Susskind (Honig). She earned her Bachelors in Fine Arts from Syracuse University in 1951 and her MEd in art from Temple University's Tyler College of Fine Arts in 1967. She married Harold J. Fine Jr. (d. 2009), a psychologist and psychoanalyst, in 1952.

Self-trained art historian and editor; wrote major reference books in art history with Hugh Honour. Fleming's father was a prominent solicitor in Berwick-upon-Tweed. Fleming himself initially attempted a career in painting, applying to Stanley Spencer (1891-1959) for an apprenticeship. His father persuaded him to attended Rugby and then Trinity College, Cambridge, where he read English. As a student he discovered Italy and traveling there to study the frescoes of Piero della Francesca in Arezzo.

Collector, art patronage scholar, director of the Burlington Magazine, 1952-1986. Ford was the son of Captain Richard Ford (1860-1940), a British army officer, and Rosamund Isabel Ramsden (1872-1911). He was descendant of the Irish dramatist Richard Brinsley Sheridan (1751-1816). His great-grandfather, Richard Ford (1796-1856), was a connoisseur and author of the important travel book on Spain, Handbook For Spain,1845. Born to wealth, Ford attended Eton and then Trinity College, Oxford, graduating in 1930 in modern history.

Modernist art historian, pioneer African arts scholar and director, Museum of Primitive Art, 1957-63. Goldwater was the son of Sigismund S. Goldwater (1873-1942), an M.D. and visionary commissioner of Hospitals in New York under Mayor La Guardia. Goldwater attended Columbia University, receiving his B. A. in 1929. He moved to Harvard for his graduate work, receiving his M.A. in 1931. Goldwater was one of the early art history students to study modern art at Harvard, at the time an area not considered worthy of graduate research. He joined the teaching staff of New York University in 1934.

Smithsonian curator of 19th & 20th century African American Art; Romare Bearden scholar. Carroll Greene was born in 1931 in Washington D.C., and studied at Columbia University and New York University, earning degrees in History and English. Greene’s combining of his passions for African American history and art began in the 1960s while teaching English at NYU and co-curating collections on campus as a hobby.

Managing editor of Art News; early exponent Willem de Kooning. Hess was the son of Gabriel Lorie Hess, a New York lawyer, and Helen Baer (Hess). He was educated in the United States and Switzerland before entering Yale University. He graduated magna cum laude in 1942 with a concentration in French art and literature. Hess worked that summer at the Museum of Modern Art under Alfred H. Barr, Jr., and Dorothy Miller before joining the army air force to serve in World War II as a pilot. He married Audrey Stern in 1944 (d. 1974).

Expert on African-American art; Co-Founder and Co-Director of the Museum of African American Art in Los Angeles. Mary Jane Hewitt's birth is undocumented, but likely in the 1920s. She was the youngest of four children in a single-mother household. She was raised in St. Paul, Minnesota, by her mother to whom she accredited her strong will and intolerance of discrimination (Ehrhart-Morrison). Hewitt first earned a Bachelor's degree from the University of Minnesota before traveling to Paris, France in the 1950s. In France, Hewitt worked as a French interpreter and translator for the U.S.

Burlington Magazine co-editor and director, National Gallery, London; painter. Holmes was the sone of Charles Rivington Holmes (d. 1873), a clergyman, and Mary Susan Dickson. Holmes attended Eton College beginning in 1883, and then won a scholarship to Brasenose College, Oxford, in 1887. At Oxford he met Walter Pater. He initially worked as London publisher's assistant between 1898 and 1903. During this time, he taught himself to draw, and then lessons by Charles S. Ricketts (1866-1931) and etching under William Strang (1859-1921).

Editor, Country Life magazine, 1933-1940; architectural historian of British country homes. Hussey's father was Major William Clive Hussey of the Royal Engineers and his mother Mary Ann Herbert. His grandfather was Edward Hussey, from whom Hussey inherited the family estate, Scotney castle, at Lamberhust, Kent. He attended Eaton before serving in World War I as second lieutenant in the Royal Field Artillery. After the war, a family friend, H. Avray Tipping, the principal architectural advisory to Country Life, urged him to join the editorial staff.

Writer of a dictionary of Dutch and Flemish artists; art and book dealer; publisher and poet. Immerzeel was the third son of Johannes Immerzeel, a merchant in food, and Elizabet Steenbus. In his youth, Immerzeel studied drawing and painting with Pieter Hofman (1755-1837), but he had to give up this vocation because of his weak eyes. A self-educated man, he spoke several languages and dedicated himself to music and poetry. In 1795, he served as secretary to the court martial of Dordrecht.

Hunter College and Columbia University professor; art critic; co-founder of October magazine. Krauss was the daughter of Matthew M. Epstein and Bertha Luber (Epstein); her father was an attorney. Krauss attended Wellesley College, receiving her B.A. in 1962; the same year she married the architect Richard I. Krauss. She moved to Harvard University where she was awarded an A. M. the following year.

Curator and historian of African-American art; first African-American woman to receive a Ph.D. in art history. Lewis was a student at Dillard University in New Orleans, LA, and began her art career there under the tutelage of African-American sculptor and printmaker, Elizabeth Catlett (1915-2012). At one of her instructor's suggestions, Lewis transferred to Hampton Institute (now Hampton Univer­sity) in Virginia, where she earned her B.A. in art history in 1945. Lewis completed her graduate studies at Ohio State University, earning her M.A. degree in 1948.

Editor of the Burlington Magazine and Director of the National Gallery, London, 1986, and British Museum-. He succeeded Michael Levey.

African-American author, lecturer, and civil rights activist; first author to publish a book on African-American art. Freeman Henry Morris Murray was born in 1859 in Cleveland, Ohio to John M. Murray (d. 1862), a tailor, and Martha [Mary] Bentley (Murray). Murray’s ethnic background was diverse; his father was a white man of Scottish descent and his mother had Irish, Native American, and African roots.

Times (London) and Guardian art critic and book author. Newton was the son of L. J. Oppenheimer (d. 1917) and Edith Newton. His father owned an architectural decoration firm in Manchester. As Eric Oppenheimer, he was educated at Manchester University, receiving a B.A. in 1914. After schooling, he joined his family company, L. Oppenheimer Ltd., as a mosaic craftsman, contributing mostly ecclesiastic designs. Newton served in World War I in the British Army, 29th Manchester Regiment, 1914-1918, rising to captain.

Editor, Burlington Magazine (1947-1978). Nicolson was the oldest child of Harold George Nicolson (1886-1968) and Victoria Mary ("Vita") Sackville-West (1892-1962). He attended Eton and then, between 1933-36, Balliol College, Oxford, where he majored in modern history. There he met and became early friends with John Pope-Hennessy.

Scholar of the Roman renaissance and urbanist; editor of the Guide rionali di Roma. His Via del Corso, 1961 became a hallmark of urban historical study.

Co-editor of major art-history encyclopedia, Summa Artis. Pijoán began his career in Spain. In 1914 he issued a general account of world art, Historia de arte. He married Genevieve Bugnion (Pijoán). In the United States Pijoan taught at Pomona College. He reissued and updated his Historia in a three-volume English edition in 1928, with Robert B. Harshe of the Art Institute of Chicago and Ralph Loveland Roys (1879-1965). In 1930 Pijoán was put in charge of selecting a muralist to decorate the refectory of the college.

Professor of art history at the university in Breslau; took over editorship of the Lübke Grundriss der Kunstgeschichte series in 1899.

Editor-in-Chief, Buildings US. BS from Northwestern University (1954), MA from University of Delaware (1956), PhD from Columbia University (1961). Professor, University of Delaware (Department Chairman, 1981-1986, 1993-)

Editor of Apollo magazine (1962-87) and exhibition organizer. His father was Edmund Miller Sutton and mother Dulcie Laura Wheeler (Sutton). Sutton attended Exeter College, Oxford, where he received a B.A., and B.Litt. and where he made the lifelong friendship with classmate and Byzantinist John Beckwith. In 1940 he married Sonja Kilbansky (later divorced). During World War II he worked in the Foreign Office Research Department, London, England, between 1940-46.

Editor of volumes 3-15 of the magisterial dictionary of artists, Allgemeines Lexikon der bildenden Künstler. Thieme studied art history in Leipzig, receiving his degree in 1892 under Anton Springer with a dissertation on the work of Hans Schäufelein. He entered the Berlin Gemäldegalerie under Wilhelm Bode. In 1898 he began work on a comprehensive dictionary of artists, architects and decorators enjoinging the assistance of Felix Becker. The two were inspired by the work of G. K.