Historian of Nigerian art and director, Institute of African Studies, University of Ibadan. Adepegba attended graduate school at Indiana University, receiving his Ph.D. in 1976 in art history under the supervision of Roy Sieber. He pursued an active research agenda writing on a range of Nigerian art topics. His over 40 works include a paper on Nok terracottas, the Yoruba concept of art, and contemporary Nigerian art.

Modernist art historian, pioneer African arts scholar and director, Museum of Primitive Art, 1957-63. Goldwater was the son of Sigismund S. Goldwater (1873-1942), an M.D. and visionary commissioner of Hospitals in New York under Mayor La Guardia. Goldwater attended Columbia University, receiving his B. A. in 1929. He moved to Harvard for his graduate work, receiving his M.A. in 1931. Goldwater was one of the early art history students to study modern art at Harvard, at the time an area not considered worthy of graduate research. He joined the teaching staff of New York University in 1934.

Museum director and historian of West African art. Ravenhill came to the United States from England as a young child. He received an M.A. (1970) and a Ph.D. (1976) in anthropology from the New School for Social Research in New York. Ravenhill's fieldwork among the Wan peoples of Côte d'Ivoire established his ability to build relationships between West African and American cultural institutions. In 1982, he established and directed the West African Museums Program (WAMP) with financial support from the Ford Foundation.

Curator and early historian of African and African-American art. Thompson was born and raised in El Paso, Texas, by his father, a surgeon, and his mother, a local arts patron. He grew to appreciate the cultures on either side of the border with Mexico. On a trip to Mexico City during his last year of high school, Thompson first heard mambo, a genre of Cuban dance music. This experience sparked what would become a lifelong passion for Afro-Atlantic music, dance, visual arts, and culture.