Leading Venetian writer on art in the seventeenth century; wrote a patriotic and polemical defense of Venetian painting, La carta del navegar pittoresco, (The Map of Painting's Journey), 1660). Le ricche miniere della pittura veneziana, 1674, (The Rich Mines of Venetian Painting). Boschini writing, like Ridolfi's, countered Vasari's claims that Florence was the birthplace of Renaissance art. However, Boschini's books were more orderly and well-thought-out than Ridolfi's.

Director of the National Gallery, London, 1973-1986; historian of 17th and 18th century art. Levey was born to devout Catholic parents, the Irishman O. L. H. Levey, a civil servant at the Air Ministry, and Britisher Gladys Mary Milestone (Levey). He attended a succession of Catholic boarding schools most notably the Oratory in Reading, where he demonstrated a strong religious faith. Levey was drafted into the Army in World War II, stationed initially in Egypt, rising to captain in the King's Shropshire Light Infantry, 1945-1948.

studied in Vienna with Max Dvořák and Julius Alwin von Schlosser; in Rome with Vasari; superintendant of Milan and Genoa; left civil service to pursue work on Venetian art from 1949

Historian of Venetian architecture, painting, and drawing. A student of Giuseppe Fiocco, Muraro received his degree from the University of Padua in 1937, and later studied at the Scuola Archaeological Italiana in Athens, and the Scuola e Filologica delle Venezie. At the end of World War II, Murano dedicated himself to the preservation of Venetian architecture, organizing exhibitions that highlighted the Renaissance villas in the Veneto.

Art biographer, painter and collector; his biographies of more than 150 painters in the Venetian state contributed to his title, "the Venetian Vasari." Ridolfi's father was a tailor (he used the name Marco Sartor in his will), who died when the young Ridlofi was five. Eventually his mother, Angela, remarried and he entered the studio of a local German painter (Ridolfi was of German decent himself). At thirteen, he traveled to Venice to study uner Antonio Vassilacchi, known as l'Aliense. A diligent student, he made drawings from reliefs and assisted the master.

Art historian of the medieval and later Baroque areas; seminal member of the so-called "First Vienna School" of art history; key figure for modern methods of art history. Riegl's father was a bureaucrat in the imperial tobacco administration in Austria who moved his family to Bohemia and Galacia where the younger Riegl attended a Polish-speaking Gymnasium. The death of his father in 1873 resulted in his family's move back to Linz.

Influential scholar and leader of the so-called (second) Vienna School of art history; successor to Max Dvořàk at the University of Vienna. Schlosser's parents were Wilhelm Valentin von Schlosser (1820-1870), a military administrator, and Sophie Maria Eiberger (1830-1916). His mother was of Italian extraction and instilled in Schlosser such a close association with Italy that friends referred to him a "Giulo" throughout his life.

"Vienna School"-trained historian of Venetian art; author of a major "principles of art history" monograph and developer of Baroque Museum, Vienna. Tietze was the son of a Czech lawyer, Siegfried Tietze (d. 1920), and Auguste Pohl. The family name had originally been Taussig. He attended the Gymnasium Altstadt in Prague. His father converted the family from Judaism to protestant Christianity in 1893 moving the family to Vienna. Tietze graduated from the Schottengymnasium there in 1898. Anxious to be seen as fully Austrian, he volunteered for a year's service in the Austrian army 1899-1900.

Historian of Venetian painting. Zanetti began as a draftsman and artist, collaborating with his cousin, also called Anton Maria Zanetti, in illustrations for books. In 1733 he adapted Marco Boschini pictorial analysis of Venitian painting, Le ricche minere della pittura veneziana, (1674) into a new critical work, his Descrizione di tutte le pubbliche pitture della città di Venezia e isole circonvicine.