AAT
Art critic and historian of Italian renaissance. Cartwright was the daughter of Richard Aubrey Cartwright and Mary Fremantle (Cartwright) (d. 1885). She was privately schooled. Her earliest exposure to art may have come from her uncle William Cornwallis Cartwright (d.1915), an art collector, who allowed her early access to his library and gallery at Aynhoe, Northamptonshire. She toured France, Austria, and Italy with her family in 1868.
Dramatist whose works helped bring about the re-evaluation of Michelangelo. Alfieri was born to a noble and wealthy family. His father was Count Antonio Alfieri and his mother Monica Maillard de Tournonthe marquis di Cacherano of Savoy. Count Alfieri died when Vittorio was less than one year old. His mother married a third husband, the cavalier Giacinto Alfieri de Magliano. Vittorio was privately tutored under Don Ivaldi, a priest whose education was poor enough to move him in 1758 to the Military Academy of Turin.
Practicing architect, teacher of and author on Greek and Italian architecture. Anderson was born in Dundee, Scotland, to James Anderson, a tea dealer, and Margaret Steel (Anderson). In his early years he had limited access to artistic and architectural education. That which he did get was primarily through office routine and private reading. In 1877 he became an apprentice to the architect James Gillespie (1854-1914) of St. Andrews. He subsequently moved to an office in Dundee, and ultimately to Glasgow by 1888, where he worked as a draftsman with Thomas Lennox Watson (1850-1920).
Art historian of Italian renaissance. Auerbach studied art history in Hamburg with the so-called Hamburg School art historians Charles de Tolnay, Fritz Saxl, Aby M. Warburg and Erwin Panofsky. She wrote her dissertation under Panofsky on Andrea del Sarto in 1932. She married one of the first Bauhaus school students, the sculptor and graphic artist Johannes Auerbach (changed to John Allenby in England,1900-1950) and immigrated to England in 1938.
Historian of the Italian Renaissance; headed restoration in Italy after Arno River flood, 1966. Baldini studied art history under Mario Salmi at the University of Florence. In the 1940's began working as a conservator in Florence. After the war, he was appointed a temporary worker in the restoration office in 1949, housed at the time in the loggia of the Uffizi.
Italian priest who wrote the first serious biographical account of artists of Ferrara, beginning in 1704, and other histories of art. Baruffaldi was the son of the collector and scholar Nicolò Baruffaldi (1645-1748). He initially attended the Jesuit seminary in Ferrara before studying under his father. He was ordained a priest, then a doctor of philosophy, joining the literary Colonia Ferrarese dell'Arcadia.
Scholar of Italian Renaissance art who employed postmodernist and social-history methods. Baxandall's parents were the museum director David Kighley Baxandall and Isobel Thomas (Baxandall). He attended Manchester Grammar School, Manchester, England, and then Downing College, Cambridge University where he received an A. M. At Cambridge, the literary critic William Empson (1906-1984) and literary scholar Frank Raymond Leavis (1895-1978) helped him form a lingual approach to culture. He continued study at the University in Pavia and Munich.
Columbia University professor of art history for Italian Renaissance; critic of vigorous art restoration. Beck was the son of Samuel Beck, a businessman, and Margaret Weisz (Beck). He studied history, political science and painting at Oberlin, graduating with a B. A. in 1952. He continued study in studio art at New York University, gaining his master's degree in studio in 1954, and then studied at the Accademia delle Belle Arti in Florence with the hopes of becoming a painter. There he met and married Darma Tercinod in 1956.
Historian of medieval and Renaissance art; among the key group of German art historians to recast the conception of the middle ages in their scholarship. The son of a salesman, Beenken studied in Freiburg and Munich, the latter where he wrote his dissertation under Heinrich Wölfflin on the topic of Enlightenment sculpture, Die allgemeine Gestaltungsproblem in der Baukunst des deutschen Klassizismus (1920). Afterward he turned his attention toward German sculpture of the Middle Ages. His habilitation Die Rottweiler: eine deutsche Bildhauerschule des 14.
Historian of the trecento Italian Renaissance. Bellosi was the son of Enrico Bellosi and Maria Cuccuini (Bellosi). His father worked as a gardener and his mother in domestic service. The younger Bellosi attended the University of Florence where he wrote his dissertation under Roberto Longhi in 1963 on the trecento artist Lorenzo Monaco. After a year in the Italian military, 1963-1964, he worked under the Soprintendenza per I Beni Artistici e Storici di Firenze, 1969 to 1979. Bellosi was awarded the Premio Viareggio (award) in 1974.
Influential scholar of the Italian Renaissance employing connoisseurship; consultant to the major American museums and collectors in the early 20th century. Berenson was born to Albert (originally Alter) Valvrojenski and Julia (originally Eudice) Mickleshanski (Valvrojenski). His father emigrated to Boston from Lithuania with his family in 1875, changing their family name to "Berenson." Bernard Berenson was educated at the Latin School, Boston. A Jew by birth, he converted to Christianity and was baptized in 1885.
Mannerism; Renaissance Italy; studied the studiolo of Francesco I, Grand-Duke of Tuscany.
notes about Bertini Calosso's opinions on Giotto appear in Richard Offner's annotated catalog of the 1937 Mostra Giottesca.
doctor, scientist, scholar, art historian; purchased Raphael's Sistine Madonna (c. 1512-14), in 1753 for the Dresden Gemäldegalerie, wrote important monographs on Piranesi (1779), Mengs ( 1780) and antiquarian work, Descrizione dei circhi particolarmente di quello di Caracalla (1789).
Gentileschi (family) scholar; University of Michigan Italianist art historian. Bissell was the son of Raymond A. Bissell (1909-1992) a heating & air dealer, and Elizabeth I Weston (Bissell) (1906-1993). He received his Ph.D. in 1968, writing his dissertation on Orazio Gentileschi under Harold E. Wethey. He wrote a book on Orazio in 1981. Gentileschi's daughter, Aremisia, was at the same time rising in interest due to women's studies courses. Bissell published the catalogue raisonné on the work of Artemisia in 1998. He retired from the University in 2006.
Giotto and Renaissance art scholar. His unfinished manuscript on Giotto's arena chapel was completed after his death by Robert Oertel.
Director General of all Prussian museums 1906-1920 and major influence on German art history in the early twentieth century; scholar of Dutch 17th-century painting and Italian Renaissance painting and sculpture. Bode hailed from an illustrious German family. His grandfather, Wilhelm Julius Bode (1779-1854), had been the director of city of Braunschweig, Germany. His father, Wilhelm Bode (1812-1883) was a judge and administrator for the Duke of Braunschweig.
Scholar of the Italian baroque and renaissance; responsible for introducing Otto Kurz to Denis Mahon in the 1930s.
Italian Renaissance scholar, dealer, and art magazine editor. Borenius was the son of Carl Borenius, a member of the Finnish Diet. Borenius was educated at the Swedish Lyceum and before Helsinki University (Helsingfors), then Berlin and Rome. In Helsinki, he studied under J. J. Tikkanen. After receiving his Ph.D. in Helsingfors in 1909, he moved to London where he published a version of his dissertation, Painters of Vincenza (1909). The same year he married Anne-Marie Rüneberg (1885-1976, granddaughter of the Finnish poet J. L. Rüneberg (1807-1877).
Scholar of Renaissance art at the Center for Italian Renaissance Studies, Harvard. Borsook was the daughter of Henry Borsook (1897-1984), a renowned biochemist, and Lisl Hummel (Borsook). The year she was born, her father joined the Department of Biology at California Institute of Technology. She attended Vassar College, receiving her B.A in art history in 1949. The same year, Borsook won a competition given by Harper's Bazaar (magazine) the same year and entered New York University, Institute of Fine Arts, as a graduate student.
Del Cenacolo di Leonardo da Vinci, 1810; secretary to the Accademia di Brera, 1801-1807. He was responsible for their inclusion in the Pinacoteca di Brera, his most famous acquisitions include Raphael's Marriage of the Virgin (1504) and the Virgin and Child by Giovanni Bellini (1460).
Mannerism in Bologna
Patronage art historian
Collaborator of Offner's Critical and Historical Corpus of Florentine Painting. Cohn studied in Berlin between 1923-26 under Adolph Goldschmidt and Freiburg, 1926-29 under Hans Jantzen, for whom he wrote his dissertation in 1929. His topic was on Han Holbein the Younger. Between 1931 and 1933 Cohn worked as a volunteer in the prints and drawings and library sections at the Staatlichen Museen in Berlin. When the Nazis came to power, Cohn, a protestant of Jewish lineage, was dismissed from his position.
Distinguished professor of art history, Indiana University, Bloomington, specialist in the Art of Renaissance Italy. Cole was raised in Cleveland, Ohio. He graduated with a BA from Western Reserve University in 1962, earning his master’s degree in art history at Oberlin in two years later. Following this, Cole completed his doctorate in art history at Bryn Mawr in 1969. His dissertation examined the work of fourteenth century Florentine painter Agnolo Gaddi (c.1350–1396).
Dictionary of Art Historians