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Fine, Elsa Honig

    Full Name: Fine, Elsa Honig

    Other Names:

    • Elsa Honig
    • Elsa H. Fine

    Gender: female

    Date Born: 24 May 1930

    Place Born: Bayonne, Hudson, NJ, USA

    Home Country/ies: United States

    Subject Area(s): African American, American (North American), Black (general, race and ethnicity), Contemporary (style of art), feminism, and Women

    Career(s): publishers

    Institution(s): University of Knoxville


    Feminist art historian and early scholar of African American art; founded Woman’s Art Journal. Elsa Honig was born to Samuel M. Honig and ​​Yetta Susskind (Honig). She earned her Bachelors in Fine Arts from Syracuse University in 1951 and her MEd in art from Temple University’s Tyler College of Fine Arts in 1967. She married Harold J. Fine Jr. (d. 2009), a psychologist and psychoanalyst, in 1952.

    Fine earned her doctorate in education of art history from the University of Tennessee in 1970, focusing on black art historians in America in her dissertation Education and the Afro-American Artist. Fine published her first book,The Afro-American Artist: A Search for Identity. The following year the book received animadversion from Romare H. Bearden (1911-1988) who, among other things, said Fine “confuses [African-Ameican] art history with social theories that are primarily racist to anyone who has a general knowledge of art.”

    In 1970, Fine was appointed as the assistant professor of art at the University of Knoxville through 1975. In 1972, Fine attended the College Art Association’s annual conference where she realized the emerging issues in the feminist art movement. Over the next ten years, Fine transitioned from African-American art history to feminist art history. When both the Feminist Art Journal and Womanart magazine ceased by 1978, Fine proposed a new feminist journal at the Women’s Caucus for Art’s 1979 meeting in Washington, D.C. The next year, Fine founded the Woman’s Art Journal—a semi-annual publication devoted to women in the visual arts. Fine worked at various colleges from 1975 until 2006, including teaching some classes at Community Scholars—a university program for adults living near Beaver College (today Arcadia University). Fine served as editor of the Woman’s Art Journal until her retirement in 2006, traveling to the UK, Israel, and Scandinavia for her work.

    Fine was honored by multiple awards including the Woman’s Caucus for Art Honorary Award in 1996, The Distinguished Feminist Award from the College Art Association in 2001, and the Alumni Award from Tyler College in 2002.

    Selected Bibliography

    • [dissertation] Education and the Afro-American Artist: A Survey of the Educational Background of the Afro-American and his Role as a Visual Artist(1970);
    • “The Afro-American Artist: A Search for Identity.” Art Journal 29, no. 1 (1969): 32–35.;
    • “Mainstream, Blackstream and the Black Art Movement.” Art Journal 30, no. 4 (1971): 374–75.;
    • The Afro-American artist; a search for identity. New York: Holt, Rinehart and Winston, 1973
    • Annemarie Weyl Carr, Constance Scheerer, Cindy Nemser, Brenda Price, Janet Catherine Berlo, Annamarie Rousseau, Sally Webster, et al. “Feminist Art Journal.” Feminist Art Journal 5, no. 1 (April 1, 1976): 1–50.;
    • Women Et Art: A History of Women Painters and Sculptors from the Renaissance to the 20th Century. Montclair: Allanheld et Schram, 1978;
    • Woman’s art journal. 1980. Knoxville: Tenn;
    • 1989. American women artists: the 20th century. [Knoxville, Tenn.]: Knoxville Museum of Art;
    • “Some ‘Fiftysomething’ Achievers Are Neither Silent nor Male.” The New York Times. The New York Times, January 17, 1990.….



    • Judith K. Brodsky collection papers, Rutgers University

    Contributors: Eleanor Ross


    Eleanor Ross. "Fine, Elsa Honig." Dictionary of Art Historians (website).

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