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Sturgis, Russell

Full Name: Sturgis, Russell

Gender: male

Date Born: 1836

Date Died: 1909

Home Country/ies: United States

Subject Area(s): architecture (object genre), European, and sculpture (visual works)

Institution(s): Metropolitan Museum of Art


Overview

His book, European Architecture: A Historical Study (1896) was one of the early required texts to be listed in the course catalog for the art history classes of Princeton University.





Contributors: Lee Sorensen


Citation

Lee Sorensen. "Sturgis, Russell." Dictionary of Art Historians (website). https://arthistorians.info/sturgisr/.


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His book, European Architecture: A Historical Study (1896) was one of the early required texts to be listed in the course catalog for the art history classes of Princeton University.

Stuttmann, Ferdinand

Full Name: Stuttmann, Ferdinand

Gender: male

Date Born: 1897

Date Died: 1968

Home Country/ies: Germany


Overview

Director of the art gallery at the Landesmuseum in Hanover, 1937-1962. After the Nazi’s rise to power, Stuttmann served as an appraiser for some of the art looted from Jewish collections by various Reich groups, including the infamous Einsatzstab Reichsleiter Rosenberg.Even after the war, Stuttmann purchased 100 objects from the Doebbeke Collection in 1949, a collection of Nazi-era objects confiscated Jewish collections.



Sources

“Raub und Restitution.” [website]. Jüdisches Museum Berlin. http://www.jmberlin.de/raub-und-restitution/en/home.php




Citation

"Stuttmann, Ferdinand." Dictionary of Art Historians (website). https://arthistorians.info/stuttmannf/.


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Director of the art gallery at the Landesmuseum in Hanover, 1937-1962. After the Nazi’s rise to power, Stuttmann served as an appraiser for some of the art looted from Jewish collections by various Reich groups, including the infamous Einsatzstab

Stone, Lawrence

Full Name: Stone, Lawrence

Other Names:

  • Michael Thompson Lawrence Stone

Gender: male

Date Born: 1919

Date Died: 1999

Place Born: Epsom, Surrey, England, UK

Place Died: Princeton, Mercer, NJ, USA

Home Country/ies: United Kingdom

Subject Area(s): Medieval (European)

Career(s): educators


Overview

Princeton University social historian; wrote Pelican History of Art volume on the sculpture in medieval England (1955). Stone was educated at Charterhouse, where its headmaster Sir Robert Birley, (later professor of social science at the City University, London) greatly influenced him. In 1939 Stone Christ Church, Oxford University on a scholarship where he studied modern history. Oxford sent him to the Sorbonne, where he adopted a methodology of the of French Annales school historians. During World War II he served as a lieutenant in the Royal Naval Volunteer Reserve. He met and married the French citizen Jeanne Caecelia Fawtier in 1943. After discharge from the Navy, he returned to Oxford to complete his degree, changing focus to medieval history, the Third Crusade in particular. The “firsts” he took at Oxford in 1946 gained him an appointment as a lecturer at University College in 1947. Stone entered the intellectual circle of the social economist Richard H. Tawney (1880 – 1962), and the era of Tawney’s scholarship, 1540-1640 which Stone saw as a time when English institutions and its society emerged distinct from Europe. Stone published an article in 1948 in the Economic History Review, “The Anatomy of the Elizabethan Aristocracy,” an impetuous work of economic determinism on the English Civil War, suggesting the upper classes were on the verge of financial ruin. His Marxist approach brought him controversy and an attack by the historian Hugh Trevor-Roper (1914-2003) in a particularly virulent reply. However, he remained a topic of conversation within academic circles. He was appointed a Fellow of Wadham College, Oxford, in 1950. Perhaps to counter his profile, or to show his grasp of a related historic area, Stone accepted the commission by Nikolaus Bernard Leon Pevsner to write a volume on medieval British sculpture. Pevsner was sensitive to divergent methodologies and Stone’s book in the Pelican History of Art series was well-received. He never again wrote a strict art-historical volume. In 1960, Stone moved to Princeton, N. J., in part to escape the Oxford infighting, as a member of the private Institute of Advanced Study. In 1963 he was appointed Dodge Professor of History at Princeton University. Stone wrote his most famous book in 1965, The Crisis of the Aristocracy. The book was a “total history” employing anthropology, sociology and psychology into a broad analysis. He chaired the History Department at Princeton between 1967 and 1970, where his graduate students referred to him as “Il Magnifico.” In 1968 he co-founded and directed the Shelby Cullom Davis Center for Historical Studies at Princeton. The Friday seminars at the Center were renowned for their uninhibited debate as well as Stone’s end-of-session summaries. Another book of social history, An Open Elite? England 1540-1880 appeared in 1984, whose argument denied the conventional view of English society new wealth assimilated into the upper classes via the purchase of landed estates. His book Family, Sex and Marriage in England 1500-1800 was issued in 1977. With these and other books, Stone courted controversy to the end. In 1985, New York University medievalist Norman F. Cantor (1929-2004) lambasted Stone in the conservative journal New Criterion as among the key Marxists taking over the teaching of history. Stone retired from Princeton in 1990, publishing his final books, the three-volume set encompassing Road to Divorce: England 1530-1987,1990, Uncertain Unions,1992, and Broken Lives,1993, explored marital, sexual and moral cases archived in ecclesiastical courts. He died suddenly of lingering Parkinson’s disease at his home in 1999. C. R. Dodwell in his review of Sculpture in Britain: the Middle Ages considered it a remarkable survey, largely because the reformation in England had destroyed much of the indigenous sculpture. Alongside the historians Eric Hobsbawm (b. 1917) and Edward Palmer (“E. P.”) Thompson (1924-1993), Stone was responsible for the reshaping of the concept of social history by broadening the areas considered factual and methodologies employed. These scholars used the techniques of social scientists for their historical endeavors. He was a serious historian with a popular following. He embraced computerization and its quantification of data which had been widely decried. A resourceful polemicist, he held celebrated disagreements with other important historians and thinkers, most notably the historian Geoffrey R. Elton (1921-1994) and philosopher Michel Foucault (1926-1984). Some of Stone’s most interesting shorter work was a a reviewer for the New York Review of Books, to which he regularly contributed.


Selected Bibliography

[collected essays:] The Past and the Present. Boston: Routledge & K. Paul, 1981; Sculpture in Britain: the Middle Ages. Pelican History of Art 9. Baltimore, MD: Penguin Books, 1955; The Crisis of the Aristocracy, 1558-1641. Oxford: Clarendon Press, 1965; Family and Fortune: Studies in Aristocratic Finance in the Sixteenth and Seventeenth Centuries. Oxford: Clarendon Press, 1973; Schooling and Society: Studies in the History of Education. Baltimore: Johns Hopkins University Press, 1976; “The Anatomy of the Elizabethan Aristocracy.” Economic History Review 18, no. 1/2 (1948): 1-53; [reply:] Trevor-Roper, Hugh. “The Elizabethan Aristocracy: An Anatomy Anatomized.” Economic History Review (New Series) 3, no. 3 (1951): 279-298, [Stone’s reply;] “The Elizabethan Aristocracy – A Restatement.” Economic History Review (New Series) 4, no. 3 (1952): 302-321.


Sources

[obituaries:] “Lawrence Stone, Dynamic Academic Who Made Social History Exciting.” The Guardian (London), July 5, 1999, p. 18; Cannadine, David. ” Professor Laurence [sic] Stone.” The Independent (London), June 26, 1999, p. 7; Honan, William. “Lawrence Stone, 79, Historian of the Changing Social Order.” New York Times, June 19, 1999, p. 16; [methodology:] Lloyd, Christopher. “The Methodologies of Social History: A Critical Survey and Defense of Structurism.” History and Theory 30, no. 2 (May, 1991): 180-219; Mousnier, Roland, and Elliott, J. H., and Stone, Lawrence, and Trevor-Roper, Hugh, and Kossmann, E. H., and Hobsbawm, Eric J., and Hexter, J. H. “Discussion of H. R. Trevor-Roper: “The General Crisis of the Seventeenth Century.” Past and Present 18 (November 1960): 8-42.




Citation

"Stone, Lawrence." Dictionary of Art Historians (website). https://arthistorians.info/stonel/.


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Princeton University social historian; wrote Pelican History of Art volume on the sculpture in medieval England (1955). Stone was educated at Charterhouse, where its headmaster Sir Robert Birley, (later professor of social science at the

Story, George Henry

Full Name: Story, George Henry

Gender: male

Date Born: 1835

Date Died: 1923

Home Country/ies: United States

Subject Area(s): drawings (visual works), painting (visual works), and prints (visual works)

Career(s): curators

Institution(s): Metropolitan Museum of Art


Overview

First curator of Paintings, Drawings and Prints of the Metropolitan Museum of Art, New York.


Selected Bibliography

Catalogue of the Paintings in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1900.


Sources

Tomkins, Calvin. Merchants and Masterpieces: The Story of the Metropolitan Museum of Art. 2nd. ed. New York: Henry Holt, 1989, p. 79, 112.



Contributors: Lee Sorensen


Citation

Lee Sorensen. "Story, George Henry." Dictionary of Art Historians (website). https://arthistorians.info/storyg/.


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First curator of Paintings, Drawings and Prints of the Metropolitan Museum of Art, New York.

Stout, George

Full Name: Stout, George

Other Names:

  • George Leslie Stout

Gender: male

Date Born: 1897

Date Died: 1972

Place Born: Winterset, Madison, IA, USA

Place Died: Santa Clara, Santa Clara, CA, USA

Home Country/ies: United States

Institution(s): International Institute for Conservation


Overview


Selected Bibliography

ed., Technical Studies in the Field of Fine Arts.ed., Art and Archaeology Abstracts (formerly Abstracts of the International Institute for the Conservation of Museum Objects. 1955-


Sources

KMP, 39



Contributors: Lee Sorensen


Citation

Lee Sorensen. "Stout, George." Dictionary of Art Historians (website). https://arthistorians.info/stoutg/.


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Stratford, Neil

Full Name: Stratford, Neil

Gender: male

Date Born: 1938

Place Born: London, Greater London, England, UK

Home Country/ies: United Kingdom

Subject Area(s): Antique, the, antiquities (object genre), and Medieval (European)

Career(s): curators


Overview

Medievalist; Keeper of Medieval and Later Antiquities, British Museum, 1975-1998. Stratford attended Manor House school, Horsham, Sussex from 1946-1951 before entering Marlborough College in 1951 where he studied Classics. He served in the British military (Coldstream Guards) between 1956 and 1958. In 1958 he entered Magdalene College, Cambridge University, receiving his B. A. in 1961. Stratford continued study at the Courtauld Institute in 1963 working on a dissertation (never completed) under Christopher Hohler on the Romanesque sculpture at the Church of La Madeleine, Vézelay. In 1969 he joined Westfield College, London, as a lecturer. Stratford was appointed Keeper of Medieval and Later Antiquities at the British Museum in 1975. He participated as a member of the committee to develop the Corpus of Romanesque sculpture in Britain and Ireland and online inventory of Romanesque art, begun in 1988. As the Leverhulme Senior Research Fellow at the British Academy in 1991, he worked on the international project, Corpus de la sculpture de Cluny. Stratford remained at the British Museum until 1998 when he retired as Keeper Emeritus. The following year he was a member of the Institute for Advanced Study, Princeton. In 2002-2003 he was visiting professeur d’histoire de l’art du Moyen-âge at the École des Chartes. Stratford’s work on Vézelay and Saint-Lazare d’Autun resulted in a more precise chronology of those sculptural monuments.


Selected Bibliography

[dissertation, never completed:] Romanesque Sculpture of Vézelay. Courtauld Institute, University of London, 1969; Northern Romanesque Enamel. volume 2 of, Catalogue of Medieval Enamels in the British Museum. London: British Museum Press, 1993; Medieval Enamels: Masterpieces from the Keir Collection. London: British Museum, 1981; edited, Romanesque and Gothic: Essays for George Zarnecki. 2 vols. Wolfeboro, NH: Boydell Press, 1987; and Oddy, W. A., and La Niece, Susan. Romanesque Metalwork: Copper Alloys and their Decoration. London : British Museum Publications, 1986; and Saulnier-Pernuit, Lydwine. La sculpture oubliée de Vézelay. Geneva: Droz, 1984; The Lewis Chessmen and the Enigma of the Hoard. London : British Museum Press, 1997; Studies in Burgundian Romanesque Sculpture. 2 vols. London: Pindar Press, 1998.


Sources

[personal information]; Membres de l’Académie Francais, 2002, http://www.aibl.fr/fr/membres/archives/arch_nominations.htm;




Citation

"Stratford, Neil." Dictionary of Art Historians (website). https://arthistorians.info/stratfordn/.


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Medievalist; Keeper of Medieval and Later Antiquities, British Museum, 1975-1998. Stratford attended Manor House school, Horsham, Sussex from 1946-1951 before entering Marlborough College in 1951 where he studied Classics. He served in the British

Stratton, Arthur James

Full Name: Stratton, Arthur James

Gender: male

Date Born: 1872

Date Died: 1955

Place Born: London, Greater London, England, UK

Place Died: Pulborough, West Sussex, England, UK

Home Country/ies: United Kingdom

Subject Area(s): architecture (object genre), Baroque, and sculpture (visual works)


Overview

Architectural historian; one of the first in the English-speaking world to treat Baroque architecture as an epoch worthy of study. Stratton trained as an architect under Leonard A. S. Stokes (1858-1925). In 1895 he joined the Liverpool University College’s School of Architecture as a lecturer in the practice (“Demonstrator”). Architectural history, not practice, was his passion, however, and he won a silver medal from the Architecture Association the following year for his essay, “The Life and Work of Wren.” He published this as a small book, replete with personal sketches he made. Stratton returned to London to teach at King’s College School of Architecture under Ravenscroft Elsey Smith (1859-1930). The school was absorbed into the Bartlett School and he with it, now under the direction of A. E. Richardson (1880-1964). There he lectured on all areas of architectural history, his interest being in Tudor and Renaissance periods. Stratton assumed co-authorship with Thomas Garner for a folio study of Tudor architecture. Garner died in 1906 and Stratton was largely responsible for the text. His fame as an architectural historian in England was such that his English Interior book attracted 1500 subscribers (pre-publication orders). In 1927 he edited and published the 5th edition of the popular The Architecture of the Renaissance in Italy by William J. Anderson, significantly adding a chapter on Baroque architecture, making it one of the first surveys to treat this maligned period. In this, he joined Fiske Kimball and George Harold Edgell whose 1918 History of Architecture conceded the same point. He retired in 1930 and moved to Pulborough in Sussex where he designed personal buildings and domestic architecture. Stratton helped overturn the previous generation of architectural historians’ notion that Baroque architecture was the height of bad taste (Jones). Anderson’s disgust for the period was such that his survey had omitted the period all together. Stratton wrote, “the architecture of the seventeen-century in Italy can no longer be dismissed as wholly decadent, and there is much to be learnt from that of the eighteenth century, which saw many a versatile Baroque at the height of his powers.” (5th ed, p. 238).


Selected Bibliography

5th ed. and Anderson, William J. The Architecture of the Renaissance in Italy: a General View for the Use of Students and Others. New York: C. Scribner’s Sons/London: B. T. Batsford, ltd., 1927; and Garner, Thomas. The Domestic Architecture of England during the Tudor Period. 2 vols published in 3 parts. London: B.T. Batsford, 1908-11


Sources

mentioned, Wohl, Helmut. “Robert Chester Smith and the History of Art in the United States.” in, Sala, Dalton, and Tamen, Pedro, et al. Robert C. Smith, 1912-1975: A investigação na História de Arte/ Research in History of Art. Lisbon: Fundação Calouste Gulbenkian, 2000, p. 24; mentioned, Watkin, David. The Rise of Architectural History. London: The Architectural Press, 1983, p. 103; [obituaries:] Jones, Ronald P. Journal of the Royal Institute of British Architects 62 (August 1955): 430; Builder 188 (May 6, 1955): 761.




Citation

"Stratton, Arthur James." Dictionary of Art Historians (website). https://arthistorians.info/strattona/.


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Architectural historian; one of the first in the English-speaking world to treat Baroque architecture as an epoch worthy of study. Stratton trained as an architect under Leonard A. S. Stokes (1858-1925). In 1895 he joined the Liverpool University

Strauss, Ernst

Full Name: Strauss, Ernst

Gender: male

Date Born: unknown

Date Died: unknown

Home Country/ies: Germany


Overview

Assistant to Wilhelm Pinder in Munich, who was dismissed by the Nazis in 1933 for being a Jew.



Sources

[transcript] “Otto von Simson, interviewed by Richard C’ndida Smith.” Art History Oral Documentation Project. Getty Research Institute, Malibu, CA, p. 12.




Citation

"Strauss, Ernst." Dictionary of Art Historians (website). https://arthistorians.info/strausse/.


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Assistant to Wilhelm Pinder in Munich, who was dismissed by the Nazis in 1933 for being a Jew.

Strauss, Walter L.

Full Name: Strauss, Walter L.

Gender: male

Date Born: 1824

Date Died: 1881

Home Country/ies: Germany

Subject Area(s): prints (visual works)

Institution(s): Abaris Books


Overview

Prints scholar and book publisher.


Selected Bibliography

and Oberhuber, Konrad, and Felker, Tracie. Drawings Defined. New York: Abaris Books, 1987.


Sources

Liedtke, Walter. “The Study of Dutch Art in America.” Artibus et Historiae 21, no. 41 (2000): 215-216.



Contributors: Lee Sorensen


Citation

Lee Sorensen. "Strauss, Walter L.." Dictionary of Art Historians (website). https://arthistorians.info/straussw/.


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Prints scholar and book publisher.

Street, George E.

Full Name: Street, George E.

Other Names:

  • George Edmund Street

Gender: male

Date Born: 1927

Date Died: 1973

Home Country/ies: United Kingdom

Subject Area(s): Medieval (European)


Overview

Medievalist art historian.



Sources

mentioned, Saunders, Susanna Terrell. “Georgiana Goddard King (1871-1939): Educator and Pioneer in Medieval Spanish Art.” in Women as Interpreters of the Visual Arts, 1820-1979. Sherman, Claire Richter and Holcomb, Adele M., eds. Westport, CT: Greenwood Press, 1981, pp. 210, 226. Brick and Marble in the Middle Ages: Notes of a Tour in the North of Italy. London: John Murray, 1855; and Seymour, Edward Roe. The Cathedral of Holy Trinity, Commonly called Christ Church Cathedral, Dublin. London: S. Sharpe and Co., 1882; and King, Georgiana, editor. George Edmund Street: Unpublished Notes and Reprinted Papers. New York: The Hispanic Society of America, 1916; Some Account of Gothic Architecture in Spain. London: J. Murray, 1865, 2nd ed., and King, Georgiana, editor, New York: E. P. Dutton & Co., 1914.




Citation

"Street, George E.." Dictionary of Art Historians (website). https://arthistorians.info/streetg/.


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Medievalist art historian.