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Ainalov, Dmitrii Vlas’evich

    Full Name: Ainalov, Dmitrii Vlas'evich

    Other Names:

    • Dmitrii Vlas'evich Ainalov,

    Gender: male

    Date Born: 08 February 1862

    Date Died: 12 December 1939

    Place Born:  Mariupol, Russia

    Home Country/ies: Russia

    Subject Area(s): Byzantine (culture or style), iconography, and Medieval (European)


    Overview

    Iconographic scholar scholar of Byzantine art. Ainalov studied at the Novorossiisky University in Odessa with N. P. Kondakov.  In 1903, he became a professor at St. Petersburg University. He was a corresponding member of the Academy of Sciences of the USSR (1914). Ainalov weighed in among the important Byzantinists Josef Rudolf Thomas Strzygowski and Charles Rufus Morey in contending that early Christian stylistic forms were drawn from western Asian sources and not principally Rome. In 1900 he published The Hellenistic Basis of Byzantine Art which for the first time revealed an aesthetic evolution of Byzantine art Great Soviet Encyclopedia).

    His Byzantine Painting of the 14th Century appeared in 1917), between 1932 and 1933 he published (in German) History of Russian Monumental Art.  His last work was Studies of Leonardo da Vinci (1939).

     


    Selected Bibliography

    Ellinisticheskie osnovy vizantiiskogo iskusstva. St. Petersberg, 1900, [published in 1900-1901 in the Bulletin of the Imperial Russian Archaeological Society], English: Hellenistic Origins of Byzantine Art. Cyril Mango, ed. New Brunswick, NJ: Rutgers University Press, 1961.


    Sources

    • Brunov, N. “Pamiati D. V. Ainalova.” Arkhitektura SSSR, 1940, no. 3.
    • Dmitriiu Vlas’evichu Ainalovu ot uchenikov: K dvadtsatipiatiletiiu ego uchenoi deiatel’nosti. Moscow, 1915. (Includes list of works.)
    • Dopolnenie k spisku trudov prof. D. V. Ainalovak 35–letiiu ego uchenoi deiatel’nosti. Petrograd, 1924.
    • Kleinbauer, W. Eugene. Research Guide to the History of Western Art. Sources of Information in the Humanities, no. 2. Chicago: American Library Association, 1982, p. 61 mentioned;
    • Kleinbauer, W. Eugene. Modern Perspectives in Western Art History: An Anthology of 20th-Century Writings on the Visual Arts. New York: Holt, Rinehart and Winston, 1971, p. 23 mentioned, 22 n. 42;
    • Mango, Cyril. “Preface.” Hellenistic Origins of Byzantine Art. New Brunswick, NJ: Rutgers University Press, 1961;
    • The Great Soviet Encyclopedia (1979) https://encyclopedia2.thefreedictionary.com/Ainalov%2C+Dmitrii+Vlasevich
    • Bazin, Germain. Histoire de l’histoire de l’art: de Vasari à nos jours. Paris: Albin Michel, 1986, p. 168;
    • Gutmann, Joseph. “Early Christian and Jewish Art.” in Attridge, Harold W., and Hata, Gohei, eds. Eusebíus, Christianity, and Judaism. Cleveland: Wayne State University Press, pp. 270-271.



    Citation

    "Ainalov, Dmitrii Vlas’evich." Dictionary of Art Historians (website). https://arthistorians.info/ainalovd/.


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