Baur, John I.
John Ireland Howe Baur
John I. H. Baur
Woodbridge, CT, USA
New York, NY, USA
Americanist and Director of the Whitney Museum of American Art, 1968-74. Baur was the son of a Yale professor of archaeology, Paul V. C. Baur (1872-1951) and mother Susan Whiting. The younger Baur attended Yale, graduating with a B.A. in English in 1932. Finding little teaching work during the height of the depression, he returned to Yale on an art history scholarship. At Yale he studied with Henri Focillon (q.v.) and Marcel Aubert (q.v.). His 1934 M.A. thesis was on a topic of baroque art. Baur accepted at the Brooklyn Museum of Art initially in the education department, but within two years he was curator of painting and sculpture. Baur began to collect and write about American artists. In 1938 he married Louise Weld Chase, then the assistant curator of medieval art. Baur's exhibitions during these years included some of the earliest for American artists. His Eastman Johnson exhibition of 1940 was followed two years later by one on John Quidor. In the midst of World War II, Baur, 35, joined the army in 1944. He soon found himself in special services organizing soldiers' art exhibitions at the National Gallery of Art in Washington, DC. The postwar years afforded Baur time to write and mount new exhibitions at the Brooklyn Museum. He launched an exhibition on Theodore Robinson (1946) and Karolik Collection of American Paintings (1949). While researching his 1951 Revolution and Tradition in Modern American Art book for the Library of Congress, he met the Whitney Museum of American Art's associate director, Lloyd Goodrich (q.v.). Baur joined the Whitney in 1952 to help facilitate the move from its Greenwich Village brownstone to its new location near the Museum of Modern Art. In 1958 Goodrich became director and Baur succeeded him as associate director. However, it was once again clear that increasing visitors and exhibition size required an even larger museum presence. Baur was put in charge of raising funds and working with the architect, Marcel Breuer (1902 - 1981). In 1966 the new Whitney opened at its present location on Madison Avenue. Two years later Baur was named director, once again succeeding Goodrich. Baur remained director only six years, but in that time he reprised his exhibitions of John Quidor and Theodore Robinson in a 1969 exhibition and a large Elie Nadelman show. After retirement, Baur consulted for Kennedy Galleries, New York and continued to contribute to various American art journals. He died of heart failure at 77. His papers are housed at the Archives of American Art and the Whitney Museum. Baur was considered a particular authority on the art of John Marin.
Three Nineteenth-Century American Painters: John Quidor, Eastman Johnson, Theodore Robinson. New York: Arno Press, 1969; Joseph Stella. New York: Shorewood Publishers, 1963; John Marin and the Sea. New York: Kennedy Galleries, 1982; The Inlander: Life and Work of Charles Burchfield, 1893-1967. Newark: University of Delaware Press, 1982; Leaders of American Impressionism: Mary Cassatt, Childe Hassam, John H. Twachtman, J. Alden Weir. Brooklyn, NY: Brooklyn Museum, 1937; The New Decade: 35 American Painters and Sculptors. New York: Macmillan, 1955; An American Genre Painter: Eastman Johnson, 1824-1906. Brooklyn: Brooklyn Museum, 1940; and Goodrich, Lloyd. Four American Expressionists: Doris Caesar, Chaim Gross, Karl Knaths, Abraham Rattner. New York: Whitney Museum of American Art/Praeger, 1959; and Goodrich, Lloyd. American Art of Our Century. New York: Praeger, 1961 [permanent holdings catalog of the Whitney].
Mellby, Julie. John I. H. Baur. American National Biography 2: 356-7; American Art Journal, no. 2 (1987): 84-86; Glueck, Grace. The New York Times, May 16, 1987, Section 1, p. 10; The American Art Journal 19 no. 2 (1987): 84-6.